Last week was a big week for THOUSAND SPRINGS. I got to make music with some of the most talented people in the Texas branch of the songwriting tree.
It took a little planning — in early May I drove up to Minneapolis with a carload full of recording gear, stopping in Chicago and Madison to play some shows. I flew out of Minny to Europe, leaving my car in a friend’s garage. Got back from Europe and drove south to Texas to see what would happen next.
First thing in Austin was a reading for Medium Hero at Book People — one of the best book stores in the country. People came and I played and sang, so it was all okay. I felt like I had the green light to hang out, so I did. I ate tacos everyday and went to the Y at night so I could eat more tacos the next day. And I had the opportunity to record some of my favorite musicians in Texas. Here's who, and what.
Raina Rose is one of my favorite people anywhere. Not just her songs with the words and the heart and the dancing voice, but her big personality that goes and goes and does not apologize for where it goes. Also she does something that is borderline impossible. She mothers two small boys with big personalities and she makes it look easy. And she has a weekly column on No Depression. And she does it all while making a song that fastens itself to your head like a well-placed earring.
We sat on the floor of her guest bedroom and she held her youngest, Benny, while I got a level and dialed in the tone. I didn't like how roomy the bedroom sounded so she let me tack a blanket to her wall. Indulgent. She sang pretty on two songs, Weathered Wings and the song I wrote for Chief Sitting Bull, Last Man Standing.
Matt The Electrician
I knew Matt The Electrician to be a thoughtful, incisive song manicurist, but I didn’t know he played trumpet. Yes, he said, he went to school for it. I have chops, he said, flashing the beatific smile for which he is famous. He led me through his house to the office where his ideas hatch — a little computer desk in the corner, box amps, guitars on the wall, memorabilia hung painted sketched printed and/or framed from one of Matt's million past tours. On one wall was a book shelf completely filled with these things called CDs. “I remember those,” I said. While I set up the recording machines we talked about the Seattle grunge scene of the nineties and whether or not the documentary Hype got it right. Then Matt played trumpet and sang on a song I wrote called Mermaids. Then he sang on Last Man Standing. Then I headed out for tacos and he went to watch a minor league baseball game with his wife, Kathie. "Date Night," he said, and smiled.
Anthony Da Costa
Electro-folk prince Anthony Da Costa has more tones in his guitar than there are bubbles in a bottle of Topo Chico. He’s been out all year with Americana darling Aoife O’Donovan and he was fresh back in town when we got together last Tuesday. He came over to my house pro tem and we set his amp head up on a cat tower and used a shoe closet as the isolation box for the cabinet. To our collective surprise, it actually worked. Anthony spent the next 4 hours devouring pretty much everything I threw at him. He didn’t even eat the bowl of almonds I brought him, such were his powers of concentration.
I love living where I do, but Nashville has a tendency to tame musicians over time. I went to Austin because I wanted the people who still had some weird in them, and Anthony does.
I wonder if he will appreciate the bruise I photoshopped off his shin. Not sure but I did it anyway.
Watch this video of Anthony playing with Aoife O’Donovan recorded earlier this year at PASTE Studios.
Andrew Pressman In Austin, Andrew Pressman is in charge of all frequencies below 1KHz. I’ve seen him play on upright and electric many times, always with verve and precision, and best of all, taste. He holds down the low end for Raina Rose (to whom he is married), Ben Kweller, Steve Poltz, Sam Baker, Rebecca Loebe, Carrie Elkin, Megan Mullally’s band Nancy & Beth and loads of others.
About an hour after Raina sang, she laid Benny down for a nap and Andrew carted his gear in from the garage, texted his engineer buddy to find out which API preset was best for his rig (radio bass for you nerds) and we dug in. He laid tracks on Friend and a Friend, Weathered Wings, and a brand new song I wrote with Amy Speace called Father to the Man.
Carrie Elkin The first time I heard Carrie Elkin, she was singing with her husband Danny Schmidt on his song Company of Friends at the Rice Festival in Fischer, Texas. They sang under an improvised tapestry of christmas lights, inside a barn that held about a hundred breathless Texas song fans. That night kind of changed my life — I had just been to my first Kerrville Folk Festival, and even though I had lived in Nashville for 7 years and had played music almost constantly for 15, I had never seen scene like that. In Texas, songs live and die on the lyric. And the lyric can twist and turn in way that are decidedly uncommercial. Harder to find that stuff in Nashville.
Carrie has had a busy career, and it’s about to get busier. For one, she’s finishing up a new record with producer Neilson Hubbard, and for another, she’s about to be a mom. Big things ahead.
Watch this video of Carrie performing “Crying Out” with Danny Schmidt. [youtube https://www.youtube.com/watch?v=M1cI0Dj26qI&w=560&h=315]
Can't say yet when the record is coming out, but I can say I'm excited about it. If you aren't a kickstarter backer and want to preorder a copy of Thousand Springs, you can do that here.